On April 28, 2025, the first Dhivehi film of the year premiered at Olympus Cinema, marking a strong cinematic beginning with Abadhah, directed by the acclaimed Moomin Fuad. Though the film was completed in 2023, its release was delayed by nearly a year and a half, only heightening anticipation.
Abadhah features Ahmed Sharif and Washiya Mohamed in the lead roles, supported by seasoned actors Yousuf Shafeeu (Yuppe), Ismail Rasheed (Copy Isse), and Susan Ibrahimfulhu. The trailer, though modest in what it revealed, gave a glimpse into the film’s serious tone and intense atmosphere. It was enough to capture attention—especially from those familiar with Moomin’s previous masterpiece, Loodhifaa. For anyone who has seen Loodhifaa, there’s no questioning Moomin’s skill as both a writer and director.
Without revealing plot details, I will simply say this: every actor in Abadhah delivers a commendable performance. However, it is Ahmed Sharif and Susan Ibrahimfulhu who truly stand out.
Sharif’s performance is strikingly authentic—so much so that at times, it feels as if you are experiencing the scene alongside him. His portrayal overshadows even the performances of other seasoned actors in certain moments, a testament to his depth and realism.
Susan, meanwhile, is a revelation. In a film crafted with such careful writing, her performance elevates the story further. Audiences familiar with her from Moomin’s web series Gamini will see once again that she is an exceptional talent. Her role in Abadhah is so well-suited to her that it is difficult to imagine anyone else doing it justice.
Abadhah explores a significant societal issue that arises from something seemingly small, making it both relatable and thought-provoking. The film weaves in several powerful social messages without losing its emotional core.
Currently screening at Olympus Cinema, Abadhah is a beautifully made film that deserves to be seen. With its strong performances, meaningful story, and Moomin Fuad’s signature direction, this is a film that lingers in your thoughts long after the credits roll.
Let the film speak for itself—this is one you should not miss.